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External sources (not reviewed)

Their presentation on a combined basis does not imply that the various separate funds can be intermingled in any way, since, normally, resources may not be utilized between funds.

[...] motifs and palettes including [...]

[...] [...] to earthy tones of orange-brown as well as two shades of red.

[...] and full-bodied stains or with paints.

[...] [...] management plan for ODS in the refrigeration and air-conditioning sector in Saint Lucia and the terminal phase-out management plan for Annex A Group I substances in Uruguay; for Italy, the umbrella project for terminal phase-out of ODS in the solvent sector in the Democratic Republic of Congo, the [...] [...]

[...] [...] among victims of agent orange/dioxin.

Creative gels range from subtle tints, which only slightly change the hue of a light, to saturated deep colors that can create striking effects.

[...] [...] use of some additives, particularly acidity regulators, colours, preservatives and thickeners, as there [...] [...]

[...] to load the color matrix data which has been preset and compensate the saturation and hue.

[...] whole such as palette selection, adding a new item or data, on/off of highlighting or copying [...]

[...] reverse of the colors and/or tones our eye sees [...] [...]

In the context of action taken to promote high-quality craftwork, three initiatives should be mentioned: (a) the presentation of new creations by a group of women craftworkers from West Africa at the First International Crafts Fair in Dakar (6-14 April 2002), following training given in 2000; (b) the award of the UNESCO Prize to a young Brazilian film director for her documentary “Tons d’argile” at the Third International Ceramics Film Festival (Montpellier, 12-14 April 2002); and (c) the presentation of works by UNESCO Crafts Prize winners 1990-2001 at the Florence Crafts Fair (20-30 April 2002).

[...] be changed by adjusting the light intensity (volume) passing through each color’s filter.

As a result, the 2010/11 restated budget after transfers for Program 13 shows the cost of Global Database for only one year (2011).

The additional costs of these approved activities were partially offset by surpluses in activity costs in other areas within the sector.

(b) The Executive Director, as authorized to do so by decision of the Executive Board at the time of its approval of the support budget, may transfer appropriations between appropriate lines within the support budget, within authorized limits.

[...] [...] palette of metallic colors for nail enamels.

In addition to the $650,000 referred to above, in 2002, the twelfth Meeting of States Parties approved, on an exceptional basis, the appropriation of $500,000 (being part of the savings from the 2001 financial period) to the Working Capital Fund of the Tribunal in order to provide the Tribunal with the necessary financial means, in the event of temporary shortfalls in funds, to consider cases where the expenditure could not be met from case-related costs or from the transfer of funds between appropriation sections (SPLOS/L.28).

[...] one or several azo groups (-N=N-) [...]

[...] [...] console is capable of measuring special colors, which are frequently used in packaging printing, and enables the inspection and maintenance of high [...]

Gillian Wearing uses black and white film to reduce [...]

Brilliant Violet 421（TM） antibodies are fully compatible with currently used buffers and fixatives, and common cell [...] [...]

Program narratives are followed by detailed program budget tables, indicating the proposed budget by result, as well as separately by object of expenditure for 2012/13, together with a comparison of the proposed budget against the Budget after transfers for 2010/11 for the Program.

[...] [...] be accommodated from within the existing [...] [...]