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External sources (not reviewed)

[...] whole such as palette selection, adding a new item or data, on/off of highlighting or copying [...]

[...] materials such as magnets, color mixing equipment, [...] [...]

It has various selection tools, drawing polygons and other geometric shapes, drawing tools for straight lines and curves, customizable color palette, color picker, filler, paint brush, spary, brush and pencil.

Creative gels range from subtle tints, which only slightly change the hue of a light, to saturated deep colors that can create striking effects.

[...] of simple color matching for the Internet, colors can be displayed using tones close to [...]

[...] be changed by adjusting the light intensity (volume) passing through each color’s filter.

[...] brightness and color tone of the scene [...]

Available in 8 fashion-perfect shades: Chocolate, Nude, Rose, Candy, Grenadine, Raspberry, Blackberry, Papaya.

[...] effect, as a 10% tint on screen will reproduce a 10% tint on the printed sheet; this is preferable for spot colour users.

[...] Novell Red (PANTONE 485) or its CMYK equivalent (0, 91, 100, 0) on either white or light gray.

[...] [...] cool, high-tech colours can be achieved [...] [...]

[...] [...] console is capable of measuring special colors, which are frequently used in packaging printing, and enables the inspection and maintenance of high [...]

[...] come in the same hue as used in non-heat [...] [...]

[...] reverse of the colors and/or tones our eye sees [...] [...]

Gillian Wearing uses black and white film to reduce [...]

[...] as the land of the shades (see Sheol).

[...] flocculation, hue/tint strength, hiding/transparency, [...] [...]

In the sculpture pelom 1 (2012), Panchal examines a piece of discarded green marble, revealing that the jewel-like green tone is not the stone’s actual color, but rather an ink stain applied with cloth to the natural stone.

The map uses color tints and borders to [...]

They get on Hue but he breathes in [...]

[...] [...] doors in 8 shades, laminate and lacquered doors in a large selection of colours and glass doors, [...] [...]

[...] draping in golden sandy brown tones.

[...] [...] to earthy tones of orange-brown as well as two shades of red.

[...] [...] apologetic in tone, while retaining [...]

[...] to load the color matrix data which has been preset and compensate the saturation and hue.

[...] occur in color ribbons and are characterized as a slight color hue in grayscale images.

The stealth grey colouring of the watch provides a bold background for the distinctive 3D Superluminova numerals and indices.

[...] [...] designer Camille Miceli with three elements [...] [...]

In the context of action taken to promote high-quality craftwork, three initiatives should be mentioned: (a) the presentation of new creations by a group of women craftworkers from West Africa at the First International Crafts Fair in Dakar (6-14 April 2002), following training given in 2000; (b) the award of the UNESCO Prize to a young Brazilian film director for her documentary “Tons d’argile” at the Third International Ceramics Film Festival (Montpellier, 12-14 April 2002); and (c) the presentation of works by UNESCO Crafts Prize winners 1990-2001 at the Florence Crafts Fair (20-30 April 2002).