| 释义 |
Examples:one of the two chief types of music in Chinese opera—Mei Lanfang (1894-1961), famous master of Beijing opera, specialist in female roles—pheasant tail feathers on warriors' helmets (opera)—Liang Chenyu (1521-1594), Ming dramatist of the Kunshan opera school—Five ghosts mock the judge, or Five ghosts resist judgment (title of folk opera, idiom); important personage mobbed by a crowd of ne'er-do-wells—young unmarried lady role in Chinese opera—Qinqiang, an opera style popular in northwest China, possibly originating in Ming dynasty folk music—rival productions (of the same opera in neighboring theaters)—include impromptu comic material in opera performance (idiom); to jest—voice breaking (of male opera singer in puberty)—gong strokes announcing start of opera performance—starring female role in a Chinese opera—patter song (in opera) with clapperboard accompaniment—Prosper Mérimée, French scholar and writer, author of novel Carmen on which Bizet based his opera—Kunqu opera, influential musical theater originating in Kunshan, Jiangsu province in Yuan times—Piotr Ilyich Tchaikowsky (1840-1893), Russian composer, composer of 6 symphonies and the opera Eugene Onegin—signal the musicians (in Chinese opera, by prolonging a spoken word before attacking a song)—tradition of choreographed fights from opera and film (recent usage)—infant's part in opera, usually played by child actor—Xieju opera (ballad and dancing monologue, popular in Sichuan)—decorated hat or helmet in Chinese opera characterize role—face changing, a device of Sichuan Opera, a dramatic change of attitude expressing fright, anger etc—Georges Bizet (1838-1875), French musician, composer of opera Carmen—understudy (an opera actor)—first soliloquy text (introducing opera character)—Name of a CCTV soap opera set in police station—(in opera) sweetheart or destined love—The Drunken Beauty, Qing Dynasty Beijing Opera—Dan, female roles in Chinese opera (played by specialized male actors)—role of vivacious young female in Chinese opera—Charles Gounod (1818-1893), French musician and opera composer—sanxian, large family of 3-stringed plucked musical instruments, with snakeskin covered wooden soundbox and long neck, used in folk music, opera and Chinese orchestra— |