And it's one of the reasons Smithson chose it.

这也是史密森选择它的原因之一。

This would tie into a theory that a book by the science fiction writer JG Ballard inspired Smithson.

这与科幻小说作家巴拉德启发史密森的一本书有关。

Smithson saw his works of art as the mediators between the environment and the economy.

史密森认为他的艺术作品是环境和经济之间的中介。

This was at the core of Smithson's practice.

这是史密森实践的核心。

In Smithson's film about the making of Spiral Jetty, we see an abandoned oil rig in the background.

在史密森关于制作《螺旋形防波堤》的电影中，我们看到一个废弃的石油钻井平台在背景中。

But amazingly the government then managed to lose Smithson's fortune.

但令人惊讶的是，政府随后设法失去了史密森的财产。

But the land art of Smithson is not so much about ecology or direct activism.

但史密森的土地艺术并不是关于生态或直接的行动主义。

Smithson moved to New York in the late nineteen fifties.

史密森在20世纪50年代后期搬到了纽约。

The value of Smithson's gift was worth nearly 15 times the annual budget of the United States.

史密森的捐赠价值几乎是美国年度预算的 15 倍。

In April nineteen seventy, Smithson received the least agreement for twenty-five acres of land on the banks of the Great Salt Lake.

1970年4月，史密森得到了大盐湖岸边25英亩土地的最低协议。