Stephen Foster wrote almost thirty songs for minstrel shows. Minstrel shows became popular in the United States in the eighteen forties.

斯蒂芬·福斯特为吟游表演创作了将近30首歌。在19世纪40年代，吟游诗人表演在美国变得流行起来。

Minstrel shows promoted a racist image of African-Americans as childish, dim and lazy.

“黑脸秀”表演加深了非洲裔美国人幼稚、迟钝和懒惰的种族主义形象。

" And you look like the end man in a minstrel show, " replied Melanie equably.

" 你像个扮演黑人的滑稽演员呢，" 媚兰针锋相对地说。

Melodrama was big everywhere. But only America decided to link melodrama and the minstrel show.

音乐剧在各地都很流行 但是只有美国把音乐剧和“黑脸秀”表演结合起到了一起。

The minstrel show was a widely popular and deeply racist 19th century genre created by white Americans.

“黑脸秀”是19世纪由美国白人创作的一种广受欢迎且带有严重种族主义色彩的流派。

One of Foster's songs written for minstrel shows is Camptown Races. Today, it is a popular song for children.

福斯特为吟游歌手创作的歌曲之一是《露营小镇竞赛》。今天，它是一首流行的儿童歌曲。

In 1951, Bayard argued against banning blackface minstrel shows.

1951 年，贝亚德反对禁止黑脸吟游诗人表演。

That film and many of the animations that predated it were inextricably linked to vaudeville performance and the blackface minstrel shows of the time.

这部电影和许多在此之前的动画，无可避免的与当时的杂耍表演和黑脸秀 (吟游诗人) 有所联系。

The first of all the negro minstrel shows came to town, and made a sensation.

第一个黑人吟游诗人的表演来到了镇上，并引起了轰动。

By the end of that century, black minstrel shows made people laugh and, over time, tap dancing became associated with American comedy.

到那个世纪末， 黑人吟游诗人的表演使人们发笑，随着时间的推移， 踢踏舞与美国喜剧联系在一起。

And across the street, a happy slave life, in the form of 150 Southern black performers, picking cotton, singing and dancing minstrel shows in a recreated antebellum attraction called Old Plantation.

街对面是快乐的奴隶生活，150 名南方黑人表演者在一个名为旧种植园的重建战前景点中采摘棉花， 唱歌跳舞吟游诗人表演。

Stories, like Tannie and Henrietta, a husband and wife vaudeville duo in love who become at odds over performing these " coon" minstrel shows while striving for their five-dollar-a-week dream in the Old Plantation attraction.

故事，例如 Tannie 和 Henrietta，一对相爱的夫妻杂耍二人组， 他们在表演这些“浣熊” 吟游诗人表演时发生争执， 同时在 Old Plantation 景点努力实现他们每周 5 美元的梦想。