歌川广重（1797年－1858年10月12日）是日本浮世绘画家。

出身于江户（现东京）的一个消防员家庭，1811年他在江户成为浮世绘大师歌川丰广的学生。他于1833～1834年间的55幅风景画系列《东海道五十三次》确立了他作为有史以来最受欢迎的浮世绘画家之一的地位。由于对他的人物风景画需求太多，大量制作降低了风景画的质量。他创作了5000多幅画，还从他的一些木刻作品上复制出了1万幅。他的天赋最先被西方的印象派和后印象派画家认同，广重也从他们那里受到了很大的影响。

歌川广重的风格较为亲民、清丽，而有小品风范，在日本当时，是民间家喻户晓的知名画家。他的作品主要皆为风景绘，可以归类到日本浮世绘中的名所绘类别，他把江户所有熟悉的一草一木都划进画布当中，像是神田染屋。

Utagawa Hiroshige (Japanese:歌川 広重), also Andō Hiroshige (Japanese:安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints