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单词 Georges Pierre Seurat
释义

Georges Pierre Seurat

中文百科

乔治·秀拉 Georges Seurat

(重定向自Georges Pierre Seurat)

乔治-皮埃尔·秀拉法语:Georges-Pierre Seurat,又译作乔治·秀拉1859年12月2日-1891年3月29日),是点彩画派(Pointillism)的代表画家,新印象派的重要人物。他的画作风格相当与众不同,秀拉的画充满了细腻缤纷的小点,当你靠近看,每一个点都充满着理性的笔触,与梵谷的狂野,还有塞尚的色块都大为不同。秀拉擅长画都市中的风景画,也擅长将色彩理论套用到画作当中。

英语百科

Georges Seurat 乔治·秀拉

(重定向自Georges Pierre Seurat)
Georges Seurat, 1889–90, Le Chahut, oil on canvas, 170 x 141 cm, Kröller-Müller Museum, Otterlo
A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, oil on canvas, 207.5 × 308.1 cm, Art Institute of Chicago
Jeune femme se poudrant (Young Woman Powdering Herself), 1888–90, oil on canvas, 95.5 x 79.5 cm, Courtauld Institute of Art

Georges-Pierre Seurat (French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism. Seurat's artistic personality was compounded of qualities which are usually supposed to be opposed and incompatible. On the one hand, his extreme and delicate sensibility, on the other a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work, A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of late 19th-century painting.

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