2001 a space odyssey

I could hear my own breathing as if I were suddenly wearing a space suit from 2001: A Space Odyssey.

Seeing 2001: A Space Odyssey at the age of 14 had a profound effect on him and left him dreaming about making science fiction films.

After changing into the uniform, I headed into the dim sleep chamber; everything was a minimalist Muji-meets- "2001: A Space Odyssey" white.

Despite the presence of a verbally active machine, there isn't much dialogue in 2001: A Space Odyssey.

This was the third of Kubrick's films I worked on: I'd also been on set for Dr Strangelove and 2001: A Space Odyssey.

Arthur C. Clarke wrote 2001: A Space Odyssey there, too, training his telescope not into space but at the apartment windows opposite.

An amazing, massive 1960s Honeywell console, looking like something out of 2001: A Space Odyssey.

In "2001: A Space Odyssey" (1968), which he co-wrote with Stanley Kubrick, ape-man evolved into Star Child.

The Tree of Life looks like a dramatic and more grounded version of 2001: A Space Odyssey.

You can't have whirring fans ruining the quiet scenes in 2001: A Space Odyssey, after all.

Not exactly. The computer doesn't tell you what to do, like HAL in "2001: A Space Odyssey. "

Above: The apes and the monolith: "2001: A Space Odyssey" (Stanley Kubrick, 1968).

Below: On the verge of rebirth: "2001: A Space Odyssey" (Stanley Kubrick, 1968).

Landis, in turn, took the line from the movie 2001: A Space Odyssey (1968).

And we've all seen 2001: A Space Odyssey.

I have heard of 2001: A Space Odyssey for a long time.

The supercomputer Hal in Stanley Kubrick's 2001: A Space Odyssey embodies our worst fears about autonomous machines. Photograph: RGA