"Bust of Lorenzo de' Medici, known as the Magnificent, " on loan from the Silver Museum, is a 16th-century agate-and-gold cameo celebrating his role as an art patron.
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It's the only place in the world where you can sit in Lorenzo de' Medici's chair, watch the sun set over the Fiesole hill and talk about seagulls.
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For example, he has a revisionist view of the Medici, stubbornly refusing to eulogise Cosimo or Lorenzo de' Medici, the conventional heroes of popular histories of Renaissance Florence.