Fully titled "There Ain't No Sweet Man That's Worth the Salt of My Tears, " the track uses the classic disc (also 1928) by Paul Whiteman's Orchestra with Bix Beiderbecke and Bing Crosby as a starting point, with an unmistakably similar two-beat underpinning, a slow grind that makes it impossible to pin it down either rhythmically or chronologically.
WSJ: The Jazz Scene: Easy Keys, Bass Instincts