As readers, we imagine a stable, continuous Steadicam motion upwards (and also visualize the sign carrier in the "shot" walking at a constant pace, perpendicular to the direction the "camera" is moving).
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2.
With Schnauz, Gilligan discussed the pros and cons of going to film school, including an extended rap on how their NYU classmate Brett Ratner scored a wildly expensive Steadicam for his student film.
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