But the texts don't mesh, and the interpolated situations (women are jailed and beaten) and the fragments of character development (Mary Magdalene is a suicidal neurotic, Martha a passionate do-gooder) read more like random bits of political correctness and sexual politics than organic storytelling.
WSJ: Rendered Unto Caesar, Perfectly | 'Giulio Caesare' | Handel | Metropolitan Opera | By Heidi Waleson