What if the continuity of images is not just based on shot-by-shot but also motion-to-motion?
图像的连续性不只是基于镜头接镜头，而是动作对动作，那会怎样呢？
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A favorite composition of photographer Michael Melford's is an environmental shot showing the animal surrounded by its habitat-rather than the usual tight shot taken with a long lens.
Storyboards dictate the pace of the animation by determining how long each shot is, what the character does in that shot, how many cuts there are in a scene, and so forth.