Ms Neilson agrees that such pendants were symbols of love and marriage, adding that Parmigianino even drew designs for them.
ECONOMIST: Parmigianino at the Frick
2.
Parmigianino was known to alter the gender of figures between his preparatory sketches and finished paintings, But Ms Neilson comes to a different conclusion.
ECONOMIST: Parmigianino at the Frick
3.
The Frick exhibition, which builds on its 2004 show of Parmigianino drawings that attracted much critical and public interest, may lead to a reconsideration of his stature in America.