Nobody is more touching in this regard than Darrieux, her soft wrinkles unable to erode the exquisite heroines she once incarnated for Max Ophuls.
NEWYORKER: 8 Women
2.
In 1993, Marcel Ophuls went to Sarajevo, which was under siege, to film this epic documentary (running almost four hours) about war correspondents at work.
NEWYORKER: The Troubles We've Seen
3.
With tact and care, the movie digs into all the subjects that lay concealed below the surface when Max Ophuls and Douglas Sirk were filming their own melodramas in the nineteen-fifties.