During Bartók's youth, the music played in the concert halls of Austria-Hungary was dominated by Romantic pieces by mostly German composers.
在巴托克的青年时期，在奥匈帝国音乐厅里演奏的音乐以德国作曲家谱写的浪漫主义作品为主。
2
However, the magazines also depicted musichalls—which competed for patronage with all theaters—as places where crass entertainment corrupted spectators' taste and morals.
然而，这些杂志也把音乐厅——与所有剧院争夺客源的音乐厅——描绘成了腐蚀观众品位和道德的地方。
3
He attended weddings, dances and religious ceremonies, where he heard a very different sort of music from the Romantic stuff being played in the concert halls in the cities.