But unlike similar shots in "the Lovers on the Bridge" and "Mauvais Sang," here Lavant's infernal energy is directed against innocent bystanders.
但是，与类似的镜头“的新桥恋人”和“莫韦生，”在这里拉旺的地狱般的能源是针对无辜的旁观者。
2
By the time "Mauvais Sang" (1986) appeared - a gorgeous, hip, bleeding heart mash-up of noir, sci-fi and boho romance from left of nowhere - his was the uncompromising face of a new French cinema.