As I watched the unspooling horror of it, a repressed, traumatic memory resurfaced, of an audition, one that must have taken place around the time this comedy troupe was formed, very likely in the same town.
NEWYORKER: Dead Man Laughing
2.
While Loftus couldn't definitively prove that repressed memories weren't real, she could show that it was possible to implant a memory of a traumatic event that never happened.