"It is a generation that faces a situation in which the balance between responsibility and authority is broken," says Mr Imai.
Imai表示：“这代人面临责任与权力的平衡被打破的局面。”
2
Mr Imai warns, however, that “there are people who take advantage of the system” by claiming they are depressed “and lawyers who encourage that kind of behaviour”.
Imai则指出，“有人会钻制度空子”，自称患了抑郁症，而且还“有律师怂恿这类行为”。
3
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(Imai Tadashi)的《待到重逢时》(Until We Meet Again, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。