And the screenwriters, Andrew Bergman and Robert Harling, wring fun out of fustian and keep the shallow characters on the run.
NEWYORKER: Soapdish
2.
That book slick, dead-pan, laced with a great deal of North-of-England vernacular, and aggressively opposed to any kind of smooth, self-consciously literary English came as a breath of fresh air amid a great deal of worthy fustian.