Mr. Maillot's choreography favored ropy or flamelike undulations for arms and hands, as well as randomly blown breaths as if such exhaled air stirred equally arbitrary gestures in an adjacent dancer.

WSJ: Gambling on Les Ballets de Monte Carlo | Dance Review by Robert Greskovic

There's a fine, often surprising selection of large, angry, mature abstractions, with their jagged, flamelike shapes and troweled-on expanses of thick pigment, their labored surfaces seductive in the flood of light against warm concrete walls.

WSJ: Clyfford Still Museum | Irascible Still | By Karen Wilkin